Products related to Culture:
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Tween Pop : Children's Music and Public Culture
In the early years of the twenty-first century, the US music industry created a new market for tweens, selling music that was cooler than Barney, but that still felt safe for children.In Tween Pop Tyler Bickford traces the dramatic rise of the “tween” music industry, showing how it marshaled childishness as a key element in legitimizing children's participation in public culture.The industry played on long-standing gendered and racialized constructions of childhood as feminine and white—both central markers of innocence and childishness.In addition to Kidz Bop, High School Musical, and the Disney Channel's music programs, Bickford examines Taylor Swift in relation to girlhood and whiteness, Justin Bieber's childish immaturity, and Miley Cyrus/Hannah Montana and postfeminist discourses of work-life balance.In outlining how tween pop imagined and positioned childhood as both intimate and public as well as a cultural identity to be marketed to, Bickford demonstrates the importance of children's music to core questions of identity politics, consumer culture, and the public sphere.
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Pop Culture
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Brazil - Culture Smart : The Essential Guide to Customs & Culture
For many people Brazil conjures up images of football, Carnaval, and fine coffee, but it's much more than beaches and bossa nova.If we could choose only one word to describe Brazil, it would be diversity.The variety of lifestyles, ethnic groups, landscapes, and climate is simply enormous. Jeitinho is how Brazilians deal creatively with life's everyday complications.Literally translated as a "little way," in practice it means that regardless of the rules or systems in place, where there is a will there is also usually a way.The jeitinho is so ingrained in daily life that you can see examples everywhere; managing to get a seat when all the places are booked up, traveling with more luggage than is allowed, or successfully ordering something that isn't even on the menu. Culture Smart! Brazil is your guide to understanding the Brazilian people, their values, and the complexities of their national identity.Familiarize yourself with their traditions, culture, and way of life and your experience of this beautiful life-affirming country will be greatly enriched.
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Energy Flash : A Journey Through Rave Music and Dance Culture
Twenty-five years since acid house and Ecstasy revolutionized pop culture, Simon Reynolds's landmark rave history Energy Flash has been expanded and updated to cover twenty-first-century developments like dubstep and EDM's recent takeover of America. Author of the acclaimed postpunk history Rip It Up and Start Again, Reynolds became a rave convert in the early nineties.He experienced first-hand the scene's drug-fuelled rollercoaster of euphoria and darkness.He danced at Castlemorton, the illegal 1992 mega-rave that sent spasms of anxiety through the Establishment and resulted in the Criminal Justice and Public Order Bill.Mixing personal reminiscence with interviews and ultra-vivid description of the underground's ever-changing sounds as they mutated under the influence of MDMA and other drugs, Energy Flash is the definitive chronicle of electronic dance culture. From rave's origins in Chicago house and Detroit techno, through Ibiza, Madchester and the anarchic free-party scene, to the pirate-radio underworld of jungle and UK garage, and then onto 2000s-shaping genres such as grime and electro, Reynolds documents with authority, insight and infectious enthusiasm the tracks, DJs, producers and promoters that soundtracked a generation.A substantial final section, added for this new Faber edition, brings the book right up to date, covering dubstep's explosive rise to mass popularity and America's recent but ardent embrace of rave.Packed with interviews with participants and charismatic innovators like Derrick May, Goldie and Aphex Twin, Energy Flash is an infinitely entertaining and essential history of dance music.
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What are examples of pop culture?
Examples of pop culture include music, movies, television shows, fashion trends, social media platforms, and celebrity gossip. Pop culture is constantly evolving and can vary depending on the region and time period. Some current examples of pop culture include viral TikTok dances, popular Netflix series, and trending hashtags on Twitter.
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How can I quit German pop culture?
To quit German pop culture, you can start by limiting your exposure to German music, movies, TV shows, and social media accounts that focus on German pop culture. Instead, try exploring other forms of entertainment from different countries or genres. You can also consider finding new hobbies or activities that do not involve German pop culture to help shift your focus. Lastly, surround yourself with people who share different interests and engage in conversations or activities that do not revolve around German pop culture.
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What does fashion have to do with culture?
Fashion is closely tied to culture as it reflects the values, beliefs, and traditions of a society. Different cultures have their own unique styles, materials, and clothing traditions that are influenced by their history, climate, and social norms. Fashion also plays a role in expressing individual and collective identity within a culture, and can be a form of artistic expression and communication. Additionally, fashion can be a way to showcase and preserve cultural heritage, as traditional clothing and designs are often passed down through generations.
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Which culture has the most beautiful traditional dance?
Beauty is subjective and varies from person to person, so it is difficult to determine which culture has the most beautiful traditional dance. Each culture has its own unique and beautiful traditional dances that hold significance and meaning within their respective communities. It is important to appreciate and respect the beauty of traditional dances from all cultures, rather than trying to compare and rank them.
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Studying Popular Music Culture
That rare thing, an academic study of music that seeks to tie together the strands of the musical text, the industry that produces it, and the audience that gives it meaning...A vital read for anyone interested in the changing nature of popular music production and consumption" - Dr Nathan Wiseman-Trowse, The University of Northampton Popular music entertains, inspires and even empowers, but where did it come from, how is it made, what does it mean, and how does it eventually reach our ears? Tim Wall guides students through the many ways we can analyse music and the music industries, highlighting crucial skills and useful research tips. Taking into account recent changes and developments in the industry, this book outlines the key concepts, offers fresh perspectives and encourages readers to reflect on their own work.Written with clarity, flair and enthusiasm, it covers: Histories of popular music, their traditions and cultural, social, economic and technical factorsIndustries and institutions, production, new technology, and the entertainment mediaMusical form, meaning and representationAudiences and consumption. Students' learning is consolidated through a set of insightful case studies, engaging activities and helpful suggestions for further reading.
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Music and Youth Culture
Music and Youth Culture offers a groundbreaking account of how music interacts with young people's everyday lives.Drawing on interviews with and observations of youth groups together with archival research, it explores young people's enactment of music tastes and performances, and how these are articulated through narratives and literacies.An extensive review of the field reveals an unhealthy emphasis on committed, fanatical, spectacular youth music cultures such as rock or punk.On the contrary, this book argues that ideas about youth subcultures and club cultures no longer apply to today's young generation.Rather, archival findings show that the music and dance cultures of youth in 1930s and 1940s Britain share more in common with youth today than the countercultures and subcultures of the 1960s and 1970s.By focusing on the relationship between music and social interactions, the book addresses questions that are scarcely considered by studies stuck in the youth cultural worlds of subcultures, club cultures and post-subcultures: What are the main influences on young people's music tastes?How do young people use music to express identities and emotions?To what extent can today's youth and their music seem radical and progressive? And how is the 'special relationship' between music and youth culture played out in everyday leisure, education and work places?Features * The first comprehensive study of popular music and youth cultural studies * Includes rare historical work on pre-1950s youth cultures * Contains original photographs and diagrammatic illustrations.
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Louise Lecavalier : Dance, Labour, Culture
As principal dancer with Montréal-based company La La La Human Steps, Louise Lecavalier was among the most iconic dancers of her generation: strong, muscled, androgynous, punk.Moving with spectacular speed, precision and an athletic physicality, her commitment to dancing would ultimately transform the potential of what bodies within Western concert dance could do. Drawing on extensive oral history accounts and archival material, the book follows Lecavalier’s impact on the evolving aesthetic of La La La Human Steps, via the development of its early repertoire, and offers the first sustained account of her 1982 solo Non, Non, Non, je ne suis pas Mary Poppins.More, it tracks diverse influences and sources for the repertoire, complicating understandings of nationalism in Québec, while marking the significance of the collective in generating new aesthetics.What emerges is a portrait of the dancer as artist, icon, labourer and mover of cultural discourse.Featuring an expansive set of photos and ephemera, including performance documentation by photographer/activist Linda Dawn Hammond, production images by choreographer Édouard Lock and street photography by key players in the 1980s Montréal scene, this study offers a critical and celebratory appraisal of Lecavalier’s unique contribution and the role of the dancer more broadly as a producer of culture.
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Dance in US Popular Culture
This innovative textbook applies basic dance history and theory to contemporary popular culture examples in order to examine our own ways of moving in—and through—culture.By drawing on material relevant to students, Dance in US Popular Culture successfully introduces students to critical thinking around the most personal of terrain: our bodies and our identities.The book asks readers to think about: what embodied knowledge we carry with us and how we can understand history and society through that lens what stereotypes and accompanying expectations are embedded in performance, related to gender and/or race, for instance how such expectations are reinforced, negotiated, challenged, embraced, or rescripted by performers and audiences how readers articulate their own sense of complex identity within the constantly shifting landscape of popular culture, how this shapes an active sense of their everyday lives, and how this can act as a springboard towards dismantling systems of oppression Through readings, questions, movement analyses, and assignment prompts that take students from computer to nightclub and beyond, Dance in US Popular Culture readers develop their own cultural sense of dance and the moving body’s sociopolitical importance while also determining how dance is fundamentally applicable to their own identity.This is the ideal textbook for high school and undergraduate students of dance and dance studies in BA and BfA courses, as well as those studying popular culture from interdisciplinary perspectives including cultural studies, media studies, communication studies, theater and performance studies. Chapter 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution CC-BY 4.0 license.
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Are there black people in K-pop culture?
Yes, there are black people in K-pop culture. While the industry has historically been dominated by East Asian artists, there are black K-pop idols and trainees who have gained popularity and success in the industry. Some notable examples include Alex Reid from the group Rania, and Kard's BM and Somin. However, it is important to note that the representation of black artists in K-pop is still limited, and there have been discussions about the need for greater diversity and inclusion within the industry.
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Why has the quality of pop culture declined?
The decline in the quality of pop culture can be attributed to a variety of factors. One reason is the increasing commercialization of the industry, which often prioritizes profit over artistic integrity. Additionally, the rise of social media and digital platforms has led to a saturation of content, making it more difficult for high-quality work to stand out. Furthermore, the demand for instant gratification and quick consumption has led to a focus on quantity over quality in pop culture. Lastly, the lack of diversity and representation in mainstream media has also contributed to the decline in quality, as it limits the range of perspectives and voices being heard.
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What are event culture and time culture?
Event culture refers to the way in which events, such as festivals, concerts, and sporting events, shape and influence a society's values, beliefs, and behaviors. Time culture, on the other hand, refers to the way in which a society perceives and organizes time, including concepts of punctuality, scheduling, and the pace of life. Both event culture and time culture play a significant role in shaping social interactions, traditions, and overall societal norms.
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Is the use of swastikas and other Nazi symbols in fashion and pop culture accidental or intentional?
The use of swastikas and other Nazi symbols in fashion and pop culture can be both accidental and intentional. In some cases, designers may use these symbols without fully understanding their historical significance or the harm they can cause. However, there are also instances where these symbols are intentionally used to shock or provoke, often as a form of commentary or critique on societal issues. Regardless of the intent, it is important to be mindful of the impact these symbols can have and to consider the ethical implications of their use in fashion and pop culture.
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