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The Sun of Latin Music
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The Music Practitioner : Research for the Music Performer, Teacher and Listener
Useful work has been done in recent years in the areas of music psychology, philosophy and education, yet this is the first book to provide a wide assessment of what practical benefits this research can bring to the music practitioner.With 25 chapters by writers representing a broad range of perspectives, this volume is able to highlight many of the potential links between music research and practice. The chapters are divided into five main sections. Section one examines practitioners’ use of research to assist their practice and the ways in which they might train to become systematic researchers.Section two explores research centred on perception and cognition, while section three looks at how practitioners have explored their everyday work and what this reveals about the creative process.Section four focuses on how being a musician affects an individual’s sense of self and the how others perceive him or her.The essays in section five outline the new types of data that creative researchers can provide for analysis and interpretation.The concluding chapter discusses that key question - what makes music affect us in the way it does? The research findings in each chapter provide useful sources of data and raise questions that are applicable across the spectrum of music-related disciplines.Moreover, the research methodologies applied to a specific question may have broader application for readers wishing to take on research themselves.
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Sounding Latin Music, Hearing the Americas
How is Latin American music heard, by whom, and why?Many in the United States believe Latin American musicians make “Latin music”—which carries with it a whole host of assumptions, definitions, and contradictions.In their own countries, these expatriate musicians might generate immense national pride or trigger suspicions of “national betrayals.” The making, sounding, and hearing of “Latin music” brings into being the complex array of concepts that constitute “Latin Americanism”—its fissures and paradoxes, but also its universal aspirations.Taking as its center musicians from or with declared roots in Latin America, Jairo Moreno presents us with an innovative analysis of how and why music emerges as a necessary but insufficient shorthand for defining and understanding Latin American, Latinx, and American experiences of modernity. This close look at the growth of music-making by Latin American and Spanish-speaking musicians in the United States at the turn of the twenty-first century reveals diverging understandings of music’s social and political possibilities for participation and belonging.Through the stories of musicians—Rubén Blades, Shakira, Arturo O’Farrill and the Afro-Latin Jazz Orchestra, and Miguel Zenón—Sounding Latin Music, Hearing the Americas traces how artists use music to produce worlds and senses of the world at the ever-transforming conjunction of Latin America and the United States.
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Listen to the Dance Music
An internationally bestselling series of board books with amazing real-life sounds!This brand new edition includes replaceable AAA batteries and an exciting 'Look and Find' game on the final page.Press the button, recognise the sounds, then point at the right picture!What do the tango, Charleston, salsa, rock 'n' roll and hip-hop sound like?Push the buttons to find out! Aimed at babies and toddlers, this ground-breaking series of interactive board books has a button on every spread, which plays one of five different exceptional quality sound effects.Children of every age will be captivated as they bring the artwork to life with five amazing real-life sounds.
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How do you dance to pop music?
When dancing to pop music, it's all about letting loose and having fun. Start by feeling the beat and moving your body to the rhythm. You can incorporate popular dance moves like the "floss" or "dab," or simply freestyle and let the music guide your movements. Don't be afraid to add your own personal flair and style to the dance, and most importantly, enjoy the music and have a great time!
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Does anyone know a term that encompasses music, dance, sports, and fashion?
One term that encompasses music, dance, sports, and fashion is "entertainment industry." This term refers to the various forms of entertainment that include music, dance, sports, and fashion, all of which contribute to the overall entertainment experience for audiences. The entertainment industry is a broad term that covers a wide range of activities and forms of expression that bring enjoyment and cultural significance to people around the world.
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Does anyone know a general term for music, dance, sports, and fashion?
The general term for music, dance, sports, and fashion is "cultural expression" or "cultural activities." These activities are forms of creative expression that are deeply ingrained in various cultures around the world and play a significant role in shaping and reflecting societal norms, values, and identities. They are essential components of human culture and are often used to communicate, celebrate, and express emotions and ideas.
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What is the easiest K-Pop dance?
The easiest K-Pop dance is subjective and can vary depending on individual skill level and familiarity with dance. However, some K-Pop dances that are often considered relatively simple and beginner-friendly include "Gee" by Girls' Generation, "Cheer Up" by TWICE, and "Bboom Bboom" by MOMOLAND. These dances typically have repetitive and easy-to-follow choreography, making them more accessible for beginners to learn and enjoy.
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Music, Dance and the Archive
WINNER OF THE 2022 MANDER JONES AWARDMusic, Dance and the Archive reimagines records of performance cultures from the archive through collaborative and creative research.In this edited volume, Amanda Harris, Linda Barwick and Jakelin Troy bring together performing artists, cultural leaders and interdisciplinary scholars to highlight the limits of archival records of music and dance.Through artistic methods drawn from Indigenous methodologies, dance studies and song practices, the contributors explore modes of re-embodying archival records, renewing song practices, countering colonial narratives and re-presenting performance traditions.The book’s nine chapters are written by song and dance practitioners, curators, music and dance historians, anthropologists, linguists and musicologists, who explore music and dance by Indigenous people from the West, far north and southeast of the Australian continent, and from Aotearoa New Zealand, Taiwan and Turtle Island (North America). Music, Dance and the Archive interrogates historical practices of access to archives by showing how Indigenous performing artists and community members and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives.It not only examines colonial archiving practices but also creative and provocative efforts to redefine the role of archives and to bring them into dialogue with contemporary creative work.Through varied contributions the book seeks to destabilise the very definition of “archives” and to imagine the different forms in which cultural knowledge can be held for current and future Indigenous stakeholders.Music, Dance and the Archive highlights the necessity of relationships, Country and creativity in practising song and dance, and in revitalising practices that have gone out of use.
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Dance Till the Music Stops
To all my readers and everyone who buys this book, thank you! I know it's hard to write a story of your life when every life is a story-but maybe, because I had the courage and the drive to write my story, maybe you can now write yours. I know how hard it is to face challenges and wonder sometimes if you can ever make it. So, I didn't write this book because I'm rich or famous. I wrote this book to give you courage and hope and to let you know you are never alone in this big old world. If I can help just one person, then my life and this book will be worth it.I wrote this for the child facing months in bed for a disease they don't understand, for the single mother trying to keep it all together, for the wife who has to kiss his dying husband one last time, for the mother who hears her child is dying, for those with cancer facing chemo, for everyone who has ever been discouraged. I want to be your ray of sunshine and show you that you can go on and that life can truly be beautiful-one day and one step at a time. For as long as we wake up, we can listen to the music of life, and we can dance! So, dance till the music stops!Never Give Up and Never Give InYou CAN reach the mountain top!No matter how tough LIFE seems,Just follow your dreamsAnd Dance Till The Music Stops!Love, Joyce
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Brazil and Latin America : Between the Separation and Integration Paths
Brazil and Latin America: Between the Separation and Integration Paths challenges the “separatist” bias in the vision of Brazilian relations with its Latin American neighbors.By exploring the parallel existence of a path of integration, the focus of this study is on those forces which have intended to forge different forms of alignment, integration, and, sometimes, rightward union between Brazil and different Latin American countries.The authors analyze the ideas and projects inherent in the mindset of elites even before independence.They show that the path of integration has been more influential than is generally known.Ultimately, this book demonstrates the complexity around policy-making, debates on foreign policy, and the history of shaping the Brazilian self.
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The Sensation of Security : Private Guards and Social Order in Brazil
The Sensation of Security explores how private security guards are a permanent, conspicuous fixture of everyday life in the Brazilian city of Rio de Janeiro.Drawing on long-term ethnographic research with security laborers, managers, company owners, and elite global consultants, Erika Robb Larkins examines the provision of security in Rio from the perspective of security personnel, providing an analysis of the racialized logics that underpin the ongoing work of securing the city.Larkins shows how guards communicate a sensacao de seguranca (a sensation of security) to clients and customers who have the capital to pay for it.Cultivated through performances by security laborers, the sensation of security is a set of culturally shaped racialized and gendered impressions related to safety, order, well-being, and cleanliness.While the sensacao de seguranca indexes an outward-facing task of allaying fears of crime and maintaining order in elite spaces, it also refers to the emotional labor and embodied worlds that security workers navigate.
Price: 116.00 £ | Shipping*: 0.00 £
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What is the difference between Latin Pop and Latin Rock?
Latin Pop is a genre of Latin music that incorporates elements of pop music, such as catchy melodies and upbeat rhythms, while Latin Rock is a genre that fuses rock music with Latin rhythms and influences. Latin Pop tends to have a more polished and commercial sound, with a focus on radio-friendly songs and danceable beats, whereas Latin Rock often features more raw and edgy guitar-driven sound with socially conscious lyrics. Both genres have roots in Latin American music but have evolved to incorporate various international influences.
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Are there K-Pop dance classes or a K-Pop dance group in Augsburg?
Yes, there are K-Pop dance classes and a K-Pop dance group in Augsburg. You can find K-Pop dance classes offered by various dance studios and community centers in the city. Additionally, there are K-Pop dance groups and clubs that meet regularly to practice and perform K-Pop dances. These classes and groups provide a fun and energetic way for people in Augsburg to learn and enjoy K-Pop dance.
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Is pop music bad music?
Pop music is not inherently "bad" music. Like any genre, it can encompass a wide range of styles, themes, and quality. While some may dismiss pop music as formulaic or lacking in depth, there are also many examples of pop songs that are well-crafted, meaningful, and artistically valuable. Ultimately, whether pop music is "bad" or not is subjective and depends on individual taste and perspective.
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What is the difference between a musician and a music performer?
A musician is someone who has a deep understanding and proficiency in playing an instrument or composing music. They may also have a strong knowledge of music theory and history. On the other hand, a music performer is someone who specializes in delivering live or recorded musical performances to an audience. While a musician may also be a performer, not all performers are necessarily musicians, as they may focus more on the presentation and delivery of music rather than the creation or technical aspects of it.
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